Work and Progress

June 2, 2012

Welcome! This blog is dedicated to my art experiences by way of the art making process, visits, exhibitions, and travel.

Filed under: Uncategorized — Work and Progress @ 8:53 pm

On this site you can also find a Visual Archive of the following:

1. Rolling City a Graphic Short in Block Prints

2. Sketchbooks/journal work

December 4, 2017

Painters Protest and Featured in KCET Artbound

Filed under: Uncategorized — Work and Progress @ 7:16 pm



Fellow painters Eric Almanza , Frank Franco and I decided to put an exhibition together that was to be a protest of works against the current presidency (in 2017). This was a group exhibition that  brought together 15 collective voices (woman and men) to protest the first 100 days of 45th farce of a president, through the medium of painting.  After the exhibition Almanza and myself were brought into another show, E-Pluribus Unum, from many One, curated by Henry Ramos. The exhibition and the effort was featured on KCET’s Artbound in the summer of 2017. link bellow.

Art as Resistance: Chicano Artist in the time of Trump article



Image from

Chicano Studies Brochure at Cerritos College

Filed under: Uncategorized — Work and Progress @ 6:52 pm

One of the highlights of the 2017 year for me was being asked to contribute to the new Chicano Studies program, at Cerritos College. Big thanks to C.S. department, chair Professor Carlos Arce.  Here is a pic of my image on the Chicano Studies Brochure.

This is an image  from a series of works based on the theme, The Children of Immigrants and those who become positive role models in the U.S. I attempt to represent these individuals with dignity rather that stigmatizing.

Chicano Studies

July 4, 2017

Poster Concepts from Chicano Steel

Filed under: 2.The Studio Experience, 3.Events and Visits — Work and Progress @ 7:06 pm

Chicano Steel was a controversial yet successful fundraiser that was put on in October of 2016 in Highland Park, by a group of public practice and studio artists from the Los Angeles area on behalf of the Avenue 50 Studio. The event was influenced by “Monster Drawing Rally” started by the S.F. based, Southern Exposure.

The name Chicano Steel was decided based on the idea that there is strength in the community that comes through Avenue 50 Studio and we wanted our own people, locals to be apart of the monster-drawing event.

The name became controversial as some artist and patrons felt as though it may bring negative connotation to the community. Frankly, I found that to be the fuckin point. When does popular thought not make the Latino community controversial? Despite the brief debate we pushed forward with the name.

From there, I began to rough out some sketches and paintings to find the right image for the event. The following are some of the rejected, concepts for Chicano Steel, as well as the final image.

The fundraiser met it’s financial goal for the event as well as got coverage from some notable media sites.The image was posted and shared that season by media platforms such as KCRW’s 5 things to do, such as”, Artillery Magazine and the L.A. Weekly, to name a few.



Final Image used to promote show. We wanted an image that folks would stop to look at and connect with the event.


Chicano Steel reduction-block idea using Loteria card icons. Lino reduction on paper 2016. The reduction block didn’t really work but I had to start somewhere.



Frida at Ave 50 Studio, Acrylic on Panel, 2016.  This idea started out as the Mona Lisa holding, purchased-art from Avenue 50 studio.. but that resulted in a debate about colonization and gentrification, so I turned her into Frida Kahlo. but still….it got scrapped.


Chicano Steel Event Video by Genessis Martinez




Some of the crew 2016.




August 19, 2016

The Devil and Tomás Benditos: New Works on view @ Ave 50 Studio

Filed under: 2.The Studio Experience — Work and Progress @ 9:45 pm

“Hell is empty all the devils are here.” –William Shakespeare.

My images are inspired by mythologies and personal stories. The people in the paintings are part of me in some way. I paint people of color in order to represent diversity in Los Angeles and contemporary painting.  This particular body of work is influenced by fear of racial/social, political dystopia. It’s hard not to be affected by today’s political climate when the omnipresence of social media allows you to experience things in real time. Inhumanity that exists in our world has never been more visible or downloadable. The landscape is dark, skies are churning, and the Devil is blown in. Though the images are mythologized they don’t seem so far from what can actually be.

New Exhibition Opens September 10, 2016:  Avenue 50 Studio Gallery

Devil and Tomas small

“Hell is empty all the devils are here.” Oil and xix media on panel, 2016


December 30, 2015


Filed under: 2.The Studio Experience — Work and Progress @ 1:51 am

I have been away from my blog spot throughout 2015 but it has not been in vain. A life in the arts has kept this man busy.

In 2014, I officially became a professor of Art after 10 years of being a part-time instructor.

I have an new website: which can be accessed from the original site.  (click on the decal that says “Check out latest work) The new site showcases recent works, bio and resume.

I will be having a Solo Exhibition of new work at Avenue 50 Studio in fall of 2016.  This will be my third exhibition with Avenue 50 Studio, second Solo show. (To view the work from 2014 exhibitions, click on link below.)

BBQ and Icon

      BBQ and Icon, oil on panel 2015 Private Collection

Ave50 Studio: Algunaparte: 2 Person Exhibition by Phung X Huynh /Sergio Teran 2014

Ave50 Studio: Otra Taza De Cafe: Day of the Dead Prints by Sergio Teran

October 1, 2014

Cajitas y Recuerdos: Cigar-Box Shrines Exhibition at Ave 50 Oct. 11th 2014

Filed under: 2.The Studio Experience, 5. Exhibitions 2010 — Work and Progress @ 7:21 am

Wrestler Shrine AVE50



Cajitas y Recuerdos: Cigar Box Shrines (Little Boxes and Memories) will commemorate the long-held tradition of the Day of the Dead through a show devoted entirely to cigar-box shrines. Our theme is purposely broad; the work from our artists explore pertinent social, political, personal and/or spiritual concepts through a cigar-box shrine.

Opening Night Reception: Saturday, October 11, 2014 from 7-10 pm

October 11 through November 2, 2014

“Dia de los Muertos” is traditionally a day in which friends and family in México, Central America, and the diaspora celebrate the memories of loved ones who have passed. Altars and shrines have been a primary vehicle for the celebration of this long-held tradition. As part of our annual Dia de los Muertos exhibit, Avenue 50 Studio has purposely invited artists from different national, regional, and ethnic backgrounds and various aesthetic approaches, to communicate what is important to their world as they see it.

Participating Artist:

Alfonso Aceves • Steven Amado • Ron Baca • Tanya L Bernard • Adriana Carranza • Jose Chavez • Aaron Donovan • Ofelia Esparza • Ricardo Flores • Emilia Garcia • Cidne Hart • Sergio Teran • Sonia Hernandez • Tory Lin • Alvaro D. Marquez • Ofelia Marquez • Victoria Plata • Ricardo Reyes • Margaret Sosa • John Tallacksen • Angel Villanueva

Avenue 50 Studio | 131 N. Avenue 50 Highland Park 90042


September 21, 2014

2014 Latino Heritage Month Calendar and Cultural Guide

Filed under: 2.The Studio Experience — Work and Progress @ 2:08 am

I was lucky enough to have been asked to be a part of this year’s (2014) Latino Heritage Month  Calendar and Cultural Guide. Here is the link to PDF.

August 12, 2014

Sound Space Rolling City: A Video/Audio Journal

Filed under: 2.The Studio Experience — Work and Progress @ 1:52 am

A 3 year video and audio journal of my immediate influences as seen and heard through studio-work, travel, museum-visits and the ever moving Los Angeles landscape, all leading up to a 2014 exhibition. As an artist I think I am constantly absorbing and studying through sight. This recent self examination through video has allowed me to notice how sound plays a unique role in my everyday and influences what I am seeing.

November 27, 2013

Rolling City A Graphic Short in Block Prints Vol.10 Ode to the ollie

Ode to the Ollie

Hand Ollie COVER X


I learned to do my Ollies in the parking lot of Crystal’s Coffee Shop, across from where I lived on 19th street.

For those of you who don’t know what an Ollie is…. essentially,  it’s a jump or hop while you’re moving on the skateboard. In the mid 80’s the Ollie marked a transitional period from a generation of pool and ramp skaters to a new breed of street-only skating kids. I was one of those kids.

And though the landscape of street skateboarding has changed,”the Ollie” remains in focus. In fact, it is the basis for a lot of skateboarding flip tricks today. Every street skating kid in the last 25 yrs has had to learn it.

Natas Gonz2

For me? learning to Ollie was important. It was important because my terrain was the street. In order to have more freedom, I needed to not stop.  When skating through the city, I had to have a continuous forward motion without breaks, even for red lights (especially for red lights). I’d just jump a curb or a grass patch when necessary to keep moving. Like improvisational jazz; blowing dashing, jumping, sliding.

Charlie was the first cat I saw do an Ollie, and I’d never seen it done before.  Smooth and fluid, almost without sound, like a cat.

Charlie Ollie wheels Ready

And that’s how I wanted to do them……………….smooth and easy.  — But “easy!”….  they were not.  It took some work.

By this time (’85-’86) I could do foot-plants and 360 slides as well as some other minor stuff. The Ollie was the next logical thing. I needed to learn it.

Charlie ran me through the basics.

CHARLIE: …Keep all your weight on your toes. You’re gonna do a back foot snap, front foot tap…tapping the tail of your skateboard hard enough so that it bounces off the concrete, and the front of the board rises up…….flowing from back momentum to front momentum,  like this__. I’ll use my left hand and right foot so you can see it happen stationary….

And then, he would do it.

Hand Ollie

I am not a direct learner. Most often, I need to do things wrong first, so I can begin to understand and work towards the correct way (whatever that means). So, before I actually learned this trick,  I came up with a few tricks of my own…. along the way.

1. Fail Ollie 2

 The Die! Skateboard Die!

2.Rolling City Nut Shot2

The infamous, Nut-Shot.

The Clash

and “Fathers Name In Vain!” (also known as the Pete Townshend)

I would have liked to show you how easy and naturally I learned to do this trick, accompanied by an image of me Ollying over five cheering neighborhood friends. But that’s just not how it happened. Although I eventually did learn how to Ollie . For me, skateboarding has always been about lessons in living: the journey, struggle and failure, followed by an an anti-climactic reward.

Flat on back red

 My technique did get better and my Ollies got higher, and indeed it was a flow, like jazz on wheels.

cloud w landscape

Charlie Parkder TV

Text and original block-print Images © by Sergio Teran

Rolling City Vol.1

Rolling City Vol. 2

Rolling City vol.3

Rolling City Vol. 4

Rolling City Vol.5

Rolling City Vol.6

Rolling City Vol 6.5

Rolling City Vol.7

Rolling City Vol.8

Rolling City Vol.9

Yellow Church

October 21, 2013

Concepts for Day of the Dead Project 2013

Filed under: 2.The Studio Experience — Work and Progress @ 4:37 pm

I had the opportunity to work on a Poster for the Day of the Dead Celebration in Pasadena this Fall, in association with Blue Milagro and the City of Pasadena.  I was contacted in August and got started sketching right away.


Here are some concept drawings I proposed early on.

 OLYMPUS DIGITAL CAMERAI really wanted to develop this for the poster. I was thinking of Fritz Lang and German expressionism. But it was too creepy for kids I think.
 OLYMPUS DIGITAL CAMERAThis a refined version of the skull that was chosen on the poster.
OLYMPUS DIGITAL CAMERA“Calaca Song” is the concept I developed from several rough sketches and was intended to be the final image to be on poster but was later switched out. I really dig this image and it was inspired by songstress Lila Downs.
Quick rough.

Some still -life options.

Skull Sketches
Quick ruffs.

I  made about, seven different rough sugar skull designs one of which was chosen for the final poster.

Wrestler peel back

Here is a woodcut concept that again was too heavy for kids but nonetheless a good exhibition piece for me.

Blocks Inspired
These are drawings I do directly on the block. Images were inspired by this event.
The framed prints .

These will be on view @ Pasadena Playhouse Oct 25th 2013

Final poster design in Kiosk at Laemles Theatre in Pasdena Ca.
All images © by Sergio Teran 2013
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